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Eddy is the ringleader who loves being the centre of attention. Edd is the really smart, really quiet and the unnaturally polite one. Ed is into monster movies and model kits.

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The series takes place during summer vacation, as the Eds search the cul-de-sac where they live for adventure, acceptance and money to buy candy. Ed, Edd 'n' Eddy is the story of three best friends bound by the same name, gawky social graces and an overwhelming desire to fit in.

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Cartoon moved into a loft in the Gastown section of Vancouver and began hiring a full staff to work on the first 13 episodes. After working out of a small, five-person studio, a.k.a. He decided to remain in Vancouver and expand his studio to accommodate series production. Following that, he spent the next few years doing commercials, promos, network IDs and the opening for MTV's Cartoon Sushi. Cartoon, in Vancouver to produce his show The Brothers Grunt for MTV. I can remember a tape of Lupo being passed around the office back in 1988, as people told each other, "You've got to see this!" A few years later, in 1994, Antonucci started up his own studio, a.k.a. Lupo the Butcher, his animated short from the late 1980s was, to some degree, the South Park of its time. We were in development on our next show, Powerpuff Girls, with the Dexter unit, and were starting to put several other projects into development, when we decided the Eds should have their own series.Īntonucci's earlier projects had made him a household name among animators. The Cartoon Network went into series production on three of those shorts-Dexter's Laboratory, Cow and Chicken and Johnny Bravo. In the mid-1990s, Hanna-Barbera produced a series of 48 cartoons. "Termite Terrace" was our model since, as far as we were concerned, that's how the best cartoons were made. We were also trying to produce the cartoons by setting up units which would be creator-driven and self-contained. Visually eyepopping, gag-laden, character-driven and most importantly, funny-those were our cartoon goals. Nothing like a little pressure! In addition, every series we had done had started with a seven-minute short, but this time we were so sure we were on the right track that we jumped right into series production.Īt that point in time, the Cartoon Network had been putting a great deal of effort into finding properties that weren't just animated sitcoms but were actually cartoons. The fate of our working with independent studios rested with this show.

This would be the first show to be produced outside that system and the first to report directly to the Cartoon Network.

Even shorts that were produced in smaller studios in other cities were produced through Hanna-Barbera. Up to that point, the Cartoon Network had only produced shows through Hanna-Barbera in Los Angeles. Thus the Sisyphean task of producing the series began. "How soon can you have it ready?" asked the general manager and I watched Danny's eyebrows go up. Not long after, a start-up meeting was held poolside at Chateau Marmont, the one moment of Hollywood glamour we'd experience. After an affirmative response from Betty Cohen, the president of the Cartoon Network, the legal paperwork and deal making began. The series bible came through by fax, a few pages at a time, over a period of the next few months. "Can we see more? Is there a bible?" he asked. I showed the fax to Mike Lazzo, the senior vice president of programming and production at the Cartoon Network, and he laughed. Well, actually there were several more steps before that last part happened but they were easy. I immediately identified with the concept and a series was sold. We didn't have much in common other than living in the same neighbourhood and having the same name. I remembered that back in 1974, I used to hang out with two girls in my neighbourhood, Linda J. Danny had sent me a drawing of three goofy looking guys, with the title Ed, Edd 'n' Eddy, and the tagline: "They're friends because they have the same name." "What do you think?" he wrote. It was from Vancouver animator Danny Antonucci. One day in 1996, I got a fax at the Atlanta head office of the Cartoon Network where I am vice president of original animation.

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MLA style: "Ed, Edd 'n' Eddy: three guys, one 'toon." The Free Library.